Happy Mother’s Day

Ever since I can remember, Saturday morning shopping trips with my mother have been the highlight of my childhood and my teenage years and it’s safe to say that I own (almost) everything I know about style to her. My first designer bag, my first pair of high heels and my liking for leopard print and fur are all thanks to this very stylish woman, which is why I asked her to give us a tip or two about fashion, in celebration of Mother’s Day.

Starting with wardrobe essentials, my mum believes that every girl should have a pair of leather pants, a white shirt, a pencil skirt and a lot of great coats in her wardrobe.

When it comes to jewellery she has a ‘the more the merrier’ attitude, absolutely loves gold, bold colours and big earrings and believes in wearing a lot of it together. As for shoes and bags however, she believes in going the traditional way. A bag is not worth its money unless it’s from Chanel or Dior (in fact she laughed and quickly dismissed my request for a Phillip Lim Pashli a few months ago!) and heels should be as classic as possible: she’ll approve of elegant, feminine pointy pumps but wants nothing to do with my chunky, double-platformed heels (it took a very long time to convince her that Isabel Marant sneakers were a good idea).

Anything with skulls on it will never get my mother’s approval, even if it has McQueen’s signature on it; the exact words were “skulls are for cemeteries and psychologically disturbed people,” so you can see that she feels quite strongly about it. What she does approve of however, would be anything that is glamorous and feminine, large black fedoras, anything with leopard print, harem pants and Herve Leger dresses. Yes, my mother was the one who encouraged me to buy an Herve Leger dress (without realising what the price tag was, but that’s another story) as she is a firm believer in short, tight dresses and in looking sexy when you go out, within certain boundaries of course!

So  I guess that’s the point when I need to say a big thank you to my mum for introducing me to the wonderful world of fashion, teaching me how to look elegant, stopping me from commiting millions of fashion crimes over the years and putting up with my unhealthy fashion addictions, that would have driven anyone else insane.

And next time you need fashion advice, I suggest you turn to your mother rather than to Vogue ;)

Happy Mother’s Day
Natalie xoxo
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It’s a Chanel World, We Just Live in It

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One hundred years ago, Coco Chanel opened her first boutique outside of Paris, in Deauville. Today, her successor, Karl Lagerfeld, is celebrating the 300 worldwide Chanel stores and the globalisation of the brand that has become so incredibly covetable, everywhere all around the world, from the Middle East to Asia. In fact, Karl says we should be eternally grateful to the French luxury industry, for delivering these desirable products to the rest of the world, which help keepWestern Europe still relevant and interesting. 

Grateful, was indeed the word, that can describe the reaction of women around the world (especially the fortunate ones who happened to be at the Grand Palais in Paris, for the show) when they saw the Fall 2013/14 collection. Skirts got shorter, the colour palette was a sombre mix of blacks, whites and grays with an addition or two of pinks (because ‘it’s not easy walking all day in pink’ according to Karl), there were many asymmetries on display and even more leather leggings, the materials were so exquisitely crafted, that you immediately felt a need to touch them and more importantly, the shoes were flat! 

To put it simply, it was the kind of collection that mixes those quintessentially Coco Chanel elements, with a more contemporary feel that relates to today’s women. A mere look at the short tweed suits, matched to some pretty daring white leather leggings and boots, will probably prove the point.

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Never did comfort and luxury appear to make such a great match, as when the knitwear started making its way down the runway. Flared skirts in pastel pinks, oversized sweaters in what has got to be the world’s most luxurious cashmere and eye-catching bright embroideries; I can already imagine all the Chanel fans wearing them on their St. Moritz ski holidays.

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As for the more formal, closing looks, we were struck by the beauty of their simplicity: flowing transparencies, soft peplums, clean lines and figure-hugging little black dresses, all matched to patent leather leggings of course! Because nothing is too straight-forward when Karl is involved…

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Natalie xoxo

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The London Fashion Week Experience

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Fashion Week: high heels, high glamour and very high expectations. Anyone who is even mildly interested in fashion, will tell you that attending Fashion Week is the ultimate dream. We have this illusion that once we get to Fashion Week we’ve made it, life is finally complete! But have you ever wondered what it’s really like to attend the shows?

Let me tell you about my experience! I started this blog two years ago and managed to receive press accreditation by the British Fashion Council from the very first season, which automatically meant that I also got to attend all the shows on the schedule… or so I thought! It was a heartbreaking realisation that my treasured press pass only gave me access to the exhibition and press lounge at Sommerset House, while to get into the shows you had to contact each designer’s PR individually! And so I did, but they ignored me, again and again and again! It was only this season, that I started receiving numerous responces to my ticket requests or at least enough, to make me so excited that I had to jump around my flat for a few minutes (who wouldn’t if they had 7 shows to attend in one day?!).

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Following the initial reaction of jumping around and calling my mum and best friends, I proceeded to choose my outfits, as I had to make sure, that now that the dream was finally so close to coming true, everything had to be perfect! For day 1, I went for white on white, given how popular the trend has become, with a tassel Alice&Olivia skirt, a chunky white knit and my brand new Valentino rockstuds (what’s fashion week without some statement accessories after all?).

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The day had finally arrived, London Fashion Week was starting, as my alarm was going off at 8.30am. I get up immediately (which is not a usual phenomenon for me) and get dressed. It all seems very exciting, yet at the same time there’s something odd about putting bright pink lipstick and heels on, first thing in the morning and the looks of my doorman and cab driver confirmed that! I start to question my outfit choice (skirt too short? not stylish enough? do I just look weird?) but thankfully I don’t have much time to analyze my insecuirites as I have to rush off to the first show on the schedule: Zoe Jordan!

The collection was modern, wearable and it looked exactly like what any young woman would want to have in her ideal winter wardrobe. Classic tweed jackets were given a playful touch with splashes of bright pink and orange, there was plenty of leather matched to minimalist tops that would translate perfectly into our stylish yet busy city lives and maxi printed dresses and skirts that were made more casual for the day. London Fashion Week could not have been off to a better start!

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Half an hour of wandering around Sommerset House and staring at all the extravagantly dressed attendees (there were neon beanies, face paintings and men in heels), it was time for my second show of the day, Bora Aksu. To be completely honest, I went inside the tent without particular expectations, as this is not a brand I’ve been following very much, but by the end of the show I got chills from how incredibly good it was and kept reminding myself about how lucky I was to be there, to see from up close, the intricately knit dresses, the dramatic head pieces and those beautiful flowing silks.

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The day was going as smoothly as I had hoped for and it was about to get better, as I was now making my way to the Savoy Hotel for Fyodor Golan (the only minor problem being that as a fashion week newbie, I am only given standing tickets, which means waiting in overwhelmingly long queues and torturing my feet). Once I was in however, the majestic atmosphere of the Savoy and the dramatic, high-fashion clothes that made their way down the runway made it all worth while.

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Back to Sommerset House: I finally find time for a coffee break and then it’s off to Felder Felder, where I made sure to arrive 40 minutes early, knowing that this show is a popular one! An hour goes by, of waiting outside the tents and trembling from the cold, only to be informed that the venue has hit capacity and all of us with standing tickets will not be let in. Angry, disappointed, upset are not even close to describing my state at the time.

I sit down for yet another coffee, and as I’m gazing out the window at all the crazy outfits I actually start to wonder: what is all the fuss about? At this point I’m not sure if the one-hour queues are worth the wait and I’m even less sure about how I feel about the circus going on outside, of photographers and people waiting around to be snapped (the weirder the better!). So it’s not with the same excitement that I head to Eudon Choi, however when I see the up-and-coming Japanese designer’s collection, I remember why I love fashion so much! He is known for minimalism, yet he completely re-invented himself with a Russian-inspired collection: there were fur pom-poms on shoes, flower headbands, opulent brocade, along with his signature clean-cut leather trousers. As another attendee put it when we were leaving ‘simply divine.’

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I then had my final show of the day, PPQ, yet after one hour’s worth of wait (same situation of trembling in the cold and heels torturing me) we were once again told that the venue hit capacity and some of us would not be let in! The fact that the show was a bad re-interpretation of the 60s did not make it any better!

Verdict? Fashion Week is glamorous and fun and you get the extremely unique opportunity to see the works of incredible designers from up close, but as a newcomer to the fashion circle, you also get to stand in queues, feel slightly out of place amongst the cliques of already established bloggers, editors and buyers and even, get looked down upon when you say that you’re yet another young blogger trying to make it into the industry. But I came to realise that once you focus on the clothes, the atmosphere of the show, the creativity and talent of the designer that you are lucky enough to experience first hand, there is nothing quite like it! And the row you are sitting in or the streetstyle snaps your outfit got, are of little to no importance.

So if your dream is to get into those Fashion Week tents, keep sending the ticket requests and keep pushing in those queues and you will get there. Just remeber dreams come true, but not exactly as you had planned them!

Natalie xoxo

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Winser London Has Launched

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I believe that the term ‘inspirational’ is used extremely loosely these days, but when it comes to Kim Winser, saying she is inspirational, would not quite do her justice. I’m talking about the woman legend, who has been behind the helm of iconic brands such as Marks&Spencers, Aquascutum, Pringle of Scotland and Agent Provocateur. Under Kim’s vision and business savvy, all of the aforementioned companies saw immense success and an increase in millions, of their annual turn overs, in just a couple of years.

I first met Kim, at a talk she gave for the female networking society, Eyedea, where all of the ambitious, young women present were eager, to say the least, to listen to her success story and get some much-needed advice. She was approachable, giving and very entertaining (we all still laugh at her story of flying to Milan, to convinve Giorgio Armani to rent his store space for the first Pringle of Scotland shop!). Needless to say, when she also hinted at a new, top secret project she is working on, we were intrigued.

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Well, news is finally out: Winser London, a new clothing line of luxurious loungewear has  just launched, modelled by the one and only Yasmin Le Bon. In response to the digital revolution, the project will be exclusively sold on winserlondon.com, where you will also find personal style advisors, to help with questions of fit, styling or anything else you could possibly need. When I attended the Winser London press day a few weeks ago, the way that I was treated by Miss Winser’s staff, who walked me through the collection and talked about every piece in detail (you are normally greeted and left alone to silently look at the clothes and take pictures) was clearly a sign, that this is a company that wants to offer a unique, tailored, shopping experience.

As for the collection itself, it’s probably what we have been waiting for, for a long time now and no one could identify the gap in the market, better than Kim Winser. You will probably agree, that you are constantly in the search for basic tees, great knitwear, a classic trench and trousers that fit well. However when it comes to these basics, you are likely to either find poor quality high-street pieces that won’t last long enough, or their designer equivalents, whose prices tend to be a little extravagant (does the 100 pound t-shirt ring a bell?). Well problem solved, because Winser London offers the finest silks, hand combed cashmere and super soft viscose, but you will not find one item, that is above 350 pounds.

What is even more impressive is the versatily of the clothes, as they can be styled in both a classic and an edgier way. Take the wide-leg pants for example, if you match them to a crisp white shirt, you are ready for the office, take the shirt off and add a lace blouse and pair of high heels though and you are ready to go for dinner and drinks.

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I also got the chance to speak to Kim herself, about her favourite pieces, the women her line is destined to and her previous businesses, so I’ll let her do the rest of the talking:

Who is the ‘Winser London’ girl?

She loves good quality clothes and is fashion savvy, she wants to add into her wardrobe some garments that will become her favourites.

We know how every single piece must be precious to you, but if you had to pick three which would be your favourite?

Yes, you are right this is a very difficult one to answer. If I had to pick three, it would have to be: the Winser Trench, the Audrey cashmere jumper and one of the silk shirts.

Why did you decide to launch exclusively online? 

I wanted to build a new brand that is in tune with the digital revolution, to allow busy ladies to shop whenever and wherever they want.

How did your previous experience at M&S, Aquascutum and Pringle of Scotland influence you? 

I have always been passionate about the product and the customer and my experience in leading quality brand houses has helped me build the best of all for Winser London.

What is it like to work on something that is entirely your own project, that has your name on the label, in comparison to your previous positions? 

I have actually loved each of my roles, but yet this one is special as it’s my own brand, built with a special team, to focus on offering a beautfiul collection to this lady customer.

I guess the only thing left for me to do, is to give you the link to this newly launched, much-awaited website: http://www.winserlondon.com/. Happy Shopping!

Natalie xoxo

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Oscar De La Renta AW13 Given the Galliano Touch

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Yesterday, something very remarkable took place in the fashion world, namely the Oscar de la Renta Fall 2013/14 show, which was produced under the artistic consultancy of John Galliano. In other words, one of the most talented designers of our time has finally made his return to the world of fashion and he was given this much-deserved second chance, by one of the maestros of American fashion, Oscar de la Renta. The result? Pure heaven!

There were of course no dramatic changes, the glamorous and impossibly elegant style that we have come to associate with the Oscar de la Renta brand was still there. What Galliano seems to have done, was push the designer to add a dose of eccentricity, to his standard recipe. This meant that the classic pencil skirts were done in leather, the volumes of the dresses became slightly more exaggerated, the sleeves of rather proper, tailored jackets were unexpectedly rolled up and dramatic hats, that were hiding the models’ eyes, accessorized the outfits (we all know John G. loves his headwear).

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The glamorous, Upper East Side girl whose presence is always imminent in an Oscar de la Renta collection, became a little more mysterious this season, with the addition of dramatic hooded capes, opulent gold brocade and fur collars.

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As for the gowns that concluded, what was already a breath-taking show, no words could ever be sufficient enough, to describe their grandeur. Oscar de la Renta has been one of the most worn designers, by some very well-dressed ladies on the red-carpets of Hollywood, so you can only imagine what happened when that extra, Galliano dramatic touch, was added to this equation: regal purple gowns, gold embroidery, head to toe feathers  and even a rather unexpected skirt with a thigh-high slit, matched to an extremely sexy, cleavage-revealing blazer.

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Bravo Oscar de la Renta! Welcome back Mr. Galliano, you had been missed!

Natalie xoxo

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BCBG Max Azria Sets Fashion Week to a Good Start

BCBG has always been the first on-schedule show to start off New York Fashion Week and they tend to make sure, that they set the tone right. This was particularly the case, with today’s Winter 2013/14 show! Where do I even start?

First there were some killer accessories that alerted everyone’s fashion radars, particularly those too-cool-for-school beanies and the pointy heels, that had some pretty bold, knee-high leather panels attached to them. Then the designers proceeded to give us a lesson in layering: think tunic, over short dress, over luxurious fur gilet or short-sleeved t-shirt, over strapless blouse, over bra. It looked extremely cool and laid back, but at the same time you can see that these seemingly mismatched pieces, work so well together, that they were probably put together with mathematical precision.

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Now given our soft spot for everything leather the past few winter seasons, it will not come as a surprise that the show included an array of leather pieces. What was a pleasant surprise however, would have to be the way they re-interpreted the trend, with a burgundy, perforated-leather skirt and matching top or with a grey and black panelled sweater, matched to a leather skirt and shoes. In fact, it looks like next season will be the time to take things one step further with head to toe leather looks! Challenge accepted!

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The prints on the dresses and tunics were another big hit, primarily because they had that relaxed, bohemian feel to them, which is usually only associated with summer clothing. But of course, layered over tailored jackets and those daring, leather shoes, you get an interesting mix of  a laid-back, yet elegant look. Exactly how the modern, working girl about town should look!

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Natalie xoxo

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Harrods’ Designer Studio Gets A Make-Over

Shopping in London often becomes equated with shopping in Harrods, not only because the building is in itself a London landmark, but because there is no place quite like it, when it comes to the variety of their collections and their designers. To make sure that they stay on top of the game, the Harrods team makes sure to always re-invent itself, hence the make-over they recently gave to their Designer Studio. For those not familiar with the different rooms in Harrods, Designer Studio is the section which houses contemporary brands, including Helmut Lang, Rag&Bone and Carven. Recently, it was given a full make-over, 3.1 Phillip Lim was added to the family and Hervé Leger was brought in from the International Designers section.

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I spoke to Lydia, a member of the buying team at Designer Studio, about these recent changes and what we said was, that even though the mix of brands such as Helmut Lang and Hervé Leger might seem a bit unexpected, it allows for a unique shopping experience.  There is something to satisfy every kind of woman, from every background and budget: you can find glamorous Hervé Leger gowns that go up to 3.500 pounds and right opposite, you will also find the perfect, basic HELMUT tops for 40 pounds, which makes it ideal for a mother, daughter shopping trip! Speaking of the demographics of their clients, it becomes clear that this is a shopping destination that can be accessible to all different types of women: Russian clients prefer the more glamorous Herve Leger dresses, Chinese women prefer the girlier, Parisian Carven, while Middle-Eastern women have been particularly keen on Phillip Lim, because Harrods, unlike any other retailer, provides bigger sizes.

I also asked Lydia, to tell me why should I shop at Designer Studio as opposed to other department stores, if there’s something unique they have to offer? She explained to me that apart from the great variety of designers, the space was designed in collaboration with each brand’s visual merchandiser, creating unique shopfits, where everything from the hangers, to the mannequins and the props used, are personalised by each brand, giving you the chance to step into the world of the brand, as opposed to looking at generic rails of clothing. I don’t know about you, but this was convincing enough for me, in fact it gave me a sudden need to grab my credit card and run to Knightsbridge!

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As for the best-selling pieces, it looks like it’s all about the biker jacket at the moment and both Carven’s biker and Phillip Lim’s corded jackets, have proved to be incredibly popular. On Lydia’s personal wishlist however, you will find floral, jacquard, Helmut Lang off-the-runway pieces that will be arriving soon at Harrods, a Carven Paris map-print shirt and inevitably an Hervé Leger dress, particularly the new ones that have a flare and are much easier to wear than the bandage dresses.

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For Fashion Week (which starts tomorrow fyi) the Harrods visual merchandisers will be installing a series of mannequins in the middle corridor of the room, with spotlights and clothes changed every week to represent the designers showing at each corresponding city. That sounds like a good enough excuse to pay Harrods a visit and get fashion-week ready, right?

Natalie xoxo

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Meeting Alexandra Schulman

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If you happened to be passing by Topshop on Oxford Circus last night, you would have found a massive queue, of unusually well-dressed young women, going all the way around the corner to the next street. ‘What is going on? Is a rock star coming?‘ were very frequent questions of the unaware passers-by. And if you asked any of the patiently-waiting fashionistas, someone a lot more exciting than a rock star was coming, namely the editor-in-chief of British Vogue, Alexandra Schulman.

Given the crowds, the fair amount of security and the general buzz, you would expect, that  whoever was Topshop’s guest of honour that day, was a VIP to say the least, likely to have an important, dive-like air about them. But that’s where we were proven wrong: Alexandra Schulman might be VIP enough to attract a massive crowd to hear her speak, but she is also down to earth, humble and extremely approachable, an extreme opposite to all the image of the military-disciplined, intimidating fashion editor, that the media has been trying to create. In fact, she openly admitted to us that she is more emotional than disciplined, that she had no particular ambition when she was younger, she didn’t even know that much about fashion when she landed her job at Vogue and was kind enough to provide all the attendees with cupcakes (yes, full-fat chocolate and vanilla ones, not fashion-friendly, dietary rice cakes!).

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Miss Schulman firstly talked about her book, saying that it was something that she always wanted to do and had never done, just like going on a trip to India. What was most inspiring however, was the humble way she mentions that she did not write her book with the thought that she would become the best writer in the world, ‘you’ve got to be brave and go out and try things,’ she says. As for which character is more close to her own personality, Schulman says that even though people have always linked her to Kendra, the only thing they have in common, woule be their careers in journalism, as she never drunk too much or did any drugs, unlike her notorious character. It is Annie she feels like she relates to the most, because just like Annie, in her twenties her main focus was to get married and have children. In fact, she says that one of the scenes in the book, where Annie’s boyfriend’s responce to their break-up was ‘tears don’t stay’ was something taken from a personal incident of the Vogue Queen’s life. ‘What a ridiculous thing to say to someone who is broken hearted!’ she said to a laughing audience (who knew that Vogue editors not only eat cupcakes, but can make jokes too?)

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When the conversation shifted towards Vogue, Alexandra mentioned the importance of trusting and following your own vision, even when that leads to mistakes, hers being a cover of Kate Moss as David Bowie, which also happens to be one of her favourites. When it came to a much-expected question of what does it take to intern at Vogue, she mentioned the three-week work experience programme that is open to anyone and everyone to apply and adviced all aspiring journalists to read as much as they can, make sure they are interested in writing itself and to pitch stories that are tailored to each publication. She also spoke of the upcoming launch of Miss Vogue, to address teenage girls and young women in their twenties, which is usually the age they tend to fall in love with Vogue and when asked about the one item of clothing that every girl should own, she did not give the usual fashion responce, of blazer/pumps/fitted jeans, but said instead that her must-own is ‘a pair of knickers!’ Clearly, behind the humour of this statement lied a much more important message: being fashionable is absolutely fantastic and reading, let alone working, in Vogue, even more so; but let’s not forget to not take everything too seriously and that there are in fact other things outside the fashion bubble. This was one of the many things we were left thinking about, after meeting this truly inspirational woman.

Natalie xoxo

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Teatum Jones SS13 Scarves

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You might already know my love for the up and coming label Teatum Jones, from my review of their SS13 presentation: a label that mixes innovation and a youthful, fresh approach, with their respect to heritage. This is something that has been best expressed through their digital prints and particularly a printed scarf, that was made in collaboration with the Dorchester Hotel and sold out in no time. Lucky for all those who did not manage to get their hands on the aforementioned hit scarf, the talented designer duo, have just released a full collection for Spring/Summer 2013, that will be sold exclusively at the famous Liberty London Scarf Hall.

As for the collection itself, I will let the images above do most of the talking, because I’m sure anyone would agree that they do speak for themselves. What is there to say after all about scarves that are rich in material, beautifully printed and on trend with the summer colour palette, except that it is the one piece you are in absolute need of, to transition you into the new season with style? I, for one, am heading to Liberty’s as we speak…

Natalie xoxo

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Meanwhile in Paris…

So while most of us mere mortals went on with our daily routines over the week, Karl Lagerfeld, Jean Paul Gaultier and Donatella Versace were showing their Haute Couture collections to an equally haute crowd. For those who are not familiar with the concept, we are talking about collections of handmade, one-of pieces, that are exclusively destined for Hollywood red carpet events and royalty. It might be a concept that is obviously completely detached from our realities, yet these collections are also fascinating to follow because they showcase the designers’ real creative capabilities when they are completely free of all commercial boundaries (and because they let you day dream of what it would be like to be a princess in a far away land dressed in nothing but Chanel Couture, or maybe that’s just me!).

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The Chanel collection was initially centered around the quintessential look of the brand, the tweed suit, that was given Couture touches with the additions of the most delicate lace boots, bow ties and extra panels of tweed around the shoulders to highlight the neck. These were followed by an array of overtly dramatic and romantic gowns: layers and layers of tulle and hours of manual labour were needed to complete the dreamy purple, floral gown, while the mix of leather and an asymmetric pink feathered gown, might not sound like the best idea but was a feast to the eyes…

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Over at Dior, Raf Simmons continued his mission of redefining the image of the brand and giving it a purer feel, that is also in touch with his own minimalist aesthetic. This time he did so, with delicately, embroidered floral dresses, balloon shapes that were structured with architectural precision and sensual transparencies and midriff-bearing tops. The addiiton of tailored trousers, pockets in skirts and blazers on gowns, signalled that this is a new era of modern couture for the house of Dior and we cannot wait to see it develop even further.

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When it comes to Versace, words such as opulent, loud, sexy, in-your-face glamour, come to mind. It might not be everyone’s cup of tea but this is the aethetic that is attached to the DNA of the house and Donatella stayed true to it, with her Couture 2013 collection. There was everything from gold, lamé suits, to shocking pink fur vests, beaded gowns matched to fierce, gold epaulettes and bright yellow pleated leather. Just how Gianni Versace would have liked it…

Natalie xoxo

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